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You then load the IR into a вЂњconvolver,вЂќ which can be a plug-in or hardware box.

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Typical impulse responses are made by playing and recording a sine sweep (a succession of sine waves spiraling up in frequency) through a system (i.e., speaker plus room plus mic), and then вЂњdeconvolvingвЂќ the recorded signal to derive an impulsive sound, or IR, that reflects the sonic characteristics of the system.

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IвЂ™ll use popular software from Apple and Ableton to illustrate the procedure. If this sounds intriguing, let me take you through the step-by-step process of making your own clean amp IRs. Through the miracle of IR technology, you too can easily make tone clones of your clean guitar or bass amps, and quickly load the digital replicas into your favorite digital audio workstation (DAW) for late-night sessions or just plain hassle-free recording. As an added benefit, you skip the endless preset scrolling that often comes with using amp sims.

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The process is like using an amp simulator plug-in, but rather than the edgy, artificial tones they often yield, IRs sound startlingly real. Frankly, the tones I get using amp IRs with direct-to-interface recording are 99-percent identical to the sound of a miked clean amp. It works when you are used to switch several times in a mix.These days, rather than miking my guitar amps to track clean tones in my home studio, I record direct into my computer and get my sounds using digital вЂњfingerprintsвЂќ of these amps IвЂ™ve generated using impulse response (IR) technology. There are cheap DIY basstraps solutions, like simple panels in the corners, roof/walls junction (start with Google/Youtube searches).ДЄnd you can always double check your bass content for freq correction (not global level, done with monitors) with headphones. Measure your acoustic yes, try several listening/monitors positions, but never count on any 'voodoo' solution. It will reduce SPL and resonances.and create other ones, but lower freq

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Your spectrum holes are not at the same places/levels, and no, it is not your monitoring system because sound change when you moveДЄre you going to do a 18dB boost at ex:100Hz to correct that, kill your ears and burn your speakers ?ДЄcoustic treatment and monitoring sources/listening position can do something for you.Д®ven opening your doors and windows will do. This is about large bumps.but what about holes ?Дo you know bad acoustic can create up to -18 dB holes in your spectrum ? You don't even need any analyzer : use your ears.Дo a sine sweep (20-200 Hz), listen to it several times, and now move a single side step. It will not move or dampen your walls.you just lower level to hide the mess. And it sucks/too loud because there is a resonance at this frequency, and no EQ in the whole world will solve this. You lower that 80Hz freq, because it sucks and it is too loud.

Of course, if you get a ex:80Hz bump in your room, it will seems to sound better when EQ corrected.but in fact, you just hide the problems under the carpet That's why countless EQ 'solutions' raised.and died the same way. When a soundwave bounce on a wall, i don't see how an EQ will solve this. You can't correct time domain by frequency domain modifications.

One simple thing : room correction by EQ NEVER worked ! And never will.

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Than there will be the equalization phase for responces correction: it's fully clear that the intervention can be limited, my room measurement will be plenty of non-minimum phase regions but this intervention coupled with IR correction (I'll try to use free java sw DRCdesigner, very simpleto use, to create IRC filter, and to apply them with Voxengo deconvolver or SIR2) will give at the end an acceptable improvement to my gearД«eing a newie in this matter,I would like to exchange infos and opinions with other more skilled members, if anybody is (or was) involved in the same activity and has a deeper knowledge of the needed practices. I bought a USB mic (UMIK 1) and started using REW (Room Eq Wizard) free software, wich is fully compatible with it.ДЄt present I'm studing the REW help, that is very well done (woww.200 pages, many technical informations, I'm going back to school ) hoping to find the best way, as soon as possible, to make correct measurements. Having no alternative location (and money ) I decided to try this way to have at least a minimum inprovement.

Seeing some interesting posts about the subject (mainly at I became deeply involved into room responses investigations my studio room is bad! Really small and without any acoustic treatment (no bass traps and absorbers, only many bad reflecting fornitures).

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